ipotesi fatte, dietro le quali non è difficile scorgere le oscure manovre di una strategia che mira a colpire la democrazia italiana e che trova complicità negli apparati dello Stato.
Il film si conclude con la ricostruzione della morte, avvenuta oltre 70 anni fa, nel 1897, di un altro anarchico, la cui vicenda ricorda molto da vicino quella di Pinelli: Romeo Frezzi.
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The hypotheses expressed by the police on the death of Giuseppe Pinessi, the anarchist who died after falling out of a window at the Milan Police-Headquarters a few days after the piazza Fontana massacre, have been re-constructed in this movie by a group of actors belonged to the Street Theatre Group. Throucgh this reconstruction, it is being emphasized how contradictory these hypoteses are, since it is not difficult to perceive behind them the dark manoeuvring of a strategy whose aim is to destroy democracy in Italy and whose allies can be fouded even within the bureacratic machine of the State. The film ends with the reconstruction of the death, which took place over 70 years ago, of another anarchist, whose story closely resembles Pinelli's Chiudi